Sunday, December 30, 2018

DOCUMENTARY: The Farthest



Video info:
Over 12 billion miles from Earth, a gangly ship sails through interstellar space. It is, by far, the most distant object made by human hands. In 1977, NASA launched twin Voyager spacecraft. An emotional, cinematic documentary, The Farthest tells their story through first-hand accounts from the passionate men and women who built the ships and guided their journeys. Negotiating a series of perils on its Grand Tour of the outer planets, Voyager beamed back spectacular images of Jupiter, Saturn, Uranus, and Neptune. But their moons offered bigger surprises—volcanoes, geysers, and a liquid water ocean. On the chance of discovery by intelligent aliens, each spacecraft carried a Golden Record with music and spoken greetings. The mission has earned its place in the pantheon of human achievements. Long after our sun has flamed out, the Voyagers are likely to be sailing on, perhaps the only evidence that we ever existed.

Saturday, December 01, 2018

TOCO TOCO: KOJI YAMAMURA



Video info:

TODAY'S GUEST
Koji Yamamura, Animator
今回のゲスト
山村浩二、アニメーター
PLACES WE WENT TO
Joshinji Temple, Kuhombutsu Area
Nekojarashi Park, Kuhombutsu Area
Au Praxinoscope, Jiyugaoka Area
Tokyo University of the arts, Bankokubashi Campus, Bashamichi Area
訪れた場所
浄真寺、九品仏周辺
猫じゃらし、九品仏周辺
Au Praxinoscope、自由が丘周辺
東京藝術大学、大学院映像研究科、馬車道
-
Koji Yamamura is an independent animator known for his short films such as Mount Head, A Country's Doctor or more recently Muybridge's Strings.
After visiting his atelier, we will follow Yamamura in the Jiyugaoka area, where he set his atelier and opened the Au Praxinoscope store, which aspires to diffuse independent animation culture and sells DVDs, books and illustrations.
As a professor at Tokyo Arts University, Koji Yamamura was a founding member of the animation department where he supports post-graduate students in the creation of their worlds.
-
Yamamura Animation official website
http://www.yamamura-animation.jp

Wednesday, November 14, 2018

Conan, the Boy in the Future




Conan, the Boy in the Future (未来少年コナン) (Mirai Shounen Konan) the 26 episode animation series based on Alexander Key's novel The Incredible Tide is celebrating its 40th anniversary. Produced by Nippon Animation, the series premiered across Japan on the NHK network between April 4 and October 31, 1978, on the Tuesday 19:30-20:00 timeslot. This science fiction epic is one of the first TV shows in which Hayao Miyazaki had a major role as director, crafting the storyboards and designing the characters and layouts among other tasks. 

The series has been released in multiple video formats over the years and many books have been also published in Japan where the series is a timeless classic. 

Tuesday, September 11, 2018

Computer History Museum's Oral History Collection: Richard Williamson & Ken Kocienda





Video info:

Richard Williamson great up in Stafford, England, and moved to Arizona at age 11, when his father moved to the Honeywell mainframe factory in Phoenix. While at Swarthmore College studying the philosophy of language, he met Steve Jobs and joined NeXT, working on the Digital Librarian, the NeXT laser printer, and after graduation, the abortive NeXT RISC Workstation project, the AppKit and Foundation frameworks, the end-user environment and applications that shipped with NeXTSTEP. After leaving NeXT in 1994, Williamson co-founded InfoScape, which developed development tools for Java, and then worked as CTO at Resonate, a company which focused on internet server load balancing, before joining Apple. 
Ken Kocienda grew up on Long Island, New York in a Polish family, studied art history at Yale, pursued an MFA in fine art photography, and then discovered the World Wide Web in the early 1990s, and spent a number of years creating websites and writing Java, before joining Andy Herzfeld’s startup Eazel. After Eazel’s demise, Kocienda was one of a number of Eazel employees that joined Apple. 
In June of 2001, a few months after the initial version of Mac OS X 10.0 ships, Scott Forstall asked Don Melton to start the Safari/WebKit project to build a web browser and web framework for Apple. Melton hired Kocienda and Williamson, and the three of them built the initial version of Safari/WebKit from the open source Konqueror/KHTML project, after researching various open source options, including Mozilla, which was rejected due to its overly large and complicated codebase. Williamson wrote the initial OS X port of KHTML as a proof of concept in a few days, which convinced the team that it was the right choice. WebKit made it possible not only for Apple to ship the Safari browser, but also to embed web pages inside other applications as web views, as well as to create standalone apps using Web interfaces, which lead to the creation of Dashboard widgets. In a subsequent release of OS X, Kocienda added HTML text editing in WebKit to support editing rich text messages in Apple Mail using HTML. 
After several years of work on Safari, Williamson and Kocienda were recruited to join the iPhone team to work on WebKit and Safari for the iPhone. Again, the two of them were the initial engineers on the team, with Williamson eventually becoming the manager as the team grew. Williamson was a crucial voice in pushing the vision of the iPhone as a web browsing device. Beyond Safari, however, WebKit was important on the iPhone because it was used for all text display and input in iPhone 1.0, even in native applications. WebKit was also considered a contender as the API for all application development, in a way similar to Dashboard Widgets on OS X, until the decision was made to create the native UIKit framework, for reasons of internal developer productivity. The iPhone software team became divided organizationally between Williamson’s web team, which owned not only WebKit and the Safari browser but also apps implemented in WebKit, and Nitin Ganatra’s native applications team, which owned UIKit and native apps, such as Mail, that were implemented using UIKit, though there was collaboration throughout. Kocienda won an internal contest to design a workable software keyboard for the iPhone and became the engineer responsible for the keyboard for many years. Williamson’s team also built the original Maps and YouTube apps for the iPhone, implementing the native client applications in collaboration with Google’s server-side platforms and data. 
* Note: Transcripts represent what was said in the interview. However, to enhance meaning or add clarification, interviewees have the opportunity to modify this text afterwards. This may result in discrepancies between the transcript text and the video recording. Please see the transcript for further information: http://www.computerhistory.org/collec... 
Visit computerhistory.org/collections/oralhistories/ for more information about the Computer History Museum's Oral History Collection. 
Catalog Number: 102740224
Lot Number: X8367.2018



Ken Kocienda has recently released a book about his days working for Apple:

Creative Selection:
Inside Apple's Design Process During the Golden Age of Steve Jobs

BOOK DETAILS
Publisher: St. Martin's Press
Release date: 2018-IX-4
Language: English
Number of pages: 304
Size: 6.4 x 1.1 x 9.6 inches
ISBN-10: 1250194466
ISBN-13: 978-1250194466

AVAILABILITY
Amazon JP: https://amzn.to/2x2l6V8
Amazon US: https://amzn.to/2x3qdV1
Amazon CA: https://amzn.to/2CEIG0f
Amazon UK: https://amzn.to/2O6nlOl
Amazon DE: https://amzn.to/2NyWVrB
Amazon FR: https://amzn.to/2Mlj7Rv
Amazon IT: https://amzn.to/2x5Foge
Amazon ES: https://amzn.to/2x5Gita

Monday, September 10, 2018

BLUEPRINT | Todd McFarlane



Published on June 24, 2017

Video info:

Todd McFarlane opens up about his career as a comic book artist that includes making Spider-Man cooler and creating the Spawn character. He also shares his blueprint to launching Image Comics and McFarlane Toys.  
Subscribe to Complex on YouTube: https://goo.gl/43ac5w 
Check out more of Complex here:
COMPLEX is a community of creators and curators, armed with the Internet, committed to surfacing and sharing the voices and conversations that define our new America. Our videos exemplify convergence culture, exploring topics that include music, sneakers, style, sports and pop culture through original shows and Complex News segments. Featuring your favorite celebrities, authoritative commentary, and a unique voice, our videos make culture pop.